Josh Turner with Jason Scott & the High Heat

Josh Turner with Jason Scott & the High Heat

7:30 P.M. SUNDAY, SEPT. 7

Josh Turner

About Josh Turner

Twenty-plus years after a truly epic debut, “this country music thing” MCA Nashville recording artist Josh Turner does is still as clear and consistent as ever. A rock-solid dedication to traditional roots. An unshakable focus on craftsman quality. A once-in-a-generation vocalist, with a rumbling bass that never falters. But as the South Carolina native knows, “consistent” has never meant “static.”

Turner has seen the trends come and go and soldiered through the ups and downs of an often fickle business. He’s stayed true to himself – even as the ground beneath him shifted – and now, he’s in the sweet spot of creative confidence. With his 10th studio album, Turner keeps doing This Country Music Thing like only he can – and it’s still important work.

“This is who I am. This is who I was born to be – it’s something that feeds me and fulfills me, and I’ve never lost my love for this,” Turner says. “When I first started, my goal was to just be myself and sing songs that meant something to me. To keep the tradition of country alive, but at the same time, make it fresh, make it new. I feel like it gets more challenging over time, but at the end of the day, it’s worth it.”

Born in The Palmetto State and raised on both faith and country music, Turner has met that challenge like few have. Since his stunning introduction on the Grand Ole Opry stage in 2001 (where fans demanded an encore from the unknown artist, who had just boarded a “Long Black Train” to fame), he’s channeled the spirit of classic country, gospel and Appalachian roots into an instantly recognizable brand, with a purposeful mix of modern-timeless appeal.

A beloved Opry cast member he’s sold over 6 million albums – including his Platinum-certified Long Black Train breakout, and the 3X Platinum Your Man after that. Likewise, Turner’s 5 billion career streams and five Number Ones helped drive 15 RIAA certifications – often pairing his steady sound with a through-line of romantic dedication. Yet every few years another trend would spark to life … and like clockwork, Turner would stay his course. This Country Music Thing finds him on the same heading and feeling no less excited about the destination.

“I’m proud of this record,” Turner says. “There’s a very fine line between pushing the envelope and actually changing what the style of country music is. You can’t lose the heart of it, you can’t lose the culture, and I’ve always been a student of country music, so I kind of know where that line is. It’s kind of like I’m the captain of the ship – I just have to make sure we’re heading in the right direction.”

This Country Music Thing features 11 new tracks. Three feature Turner as a writer, and two were even penned solo as a gifted singer-songwriter continues honing his message. Others were sourced from a mix of longtime hitmakers who know Turner’s style, and new voices who help convey a different aspect of the man behind the mic, bringing fresh energy to familiar themes like all-consuming attraction, down-home pride, and deep gratitude.

Comfortable in its own country skin, the sound follows suit, with long-serving producer Kenny Greenberg remaining true to Turner’s past for a richly textured, organic foundation. But there’s a bit of outlaw in there, too. Pairing the hard twang of woozy telecasters with driving rhythms, prominent fiddle-and-steel licks and saloon-style piano, the vibrant mix is still led by Turner’s cavernous vocal – a showcase not just of the depths it can sink to, but also its dynamic, road-tested grit.

“It's funny because when I was growing up, I always gravitated toward records from older, more-experienced artists where you could hear their life coming through their voice,” he explains. “That’s what I’m starting to hear with myself, and I think that’s a good place to be.”

To Turner, the title track serves as the album’s creative hub – a solo-written tribute to his career and state of mind. Like an autobiography, it spells out his whole story from early ambition and reverence for the craft, to his continued success and appreciation for the fans who make it so. With a booming “low-country sound” and classic honky-tonk stomp, it also allows Turner a bit of a victory lap, highlighting his status with some uncharacteristic (but well-earned) swagger. To Greenberg, that singled the track out as a sweet-spot anthem.

“This is case-in-point as to how songs always dictate what the record’s going to be,” Turner explains. “I usually try to approach things with some humility, but this song’s a little braggadocious – and I think that was what actually attracted [Kenny] to it. … It’s kind of like a rap song where you’re bragging about everything you’ve done.” [Laughs]

Still, “This Country Music Thing” is very much a statement of Turner’s humble dedication, and he spent long hours on a special ending to prove it. With the band vamping on a classic Country & Western vibe, Turner weaves together iconic hooks from tracks like Randy Travis’ “Diggin’ Up Bones,” John Anderson’s “Seminole Wind,” Johnny Cash’s “Folsom Prison Blues,” Dolly Parton’s “9 to 5,” and more, providing a direct link to the past, and a spiritual high important to the context of Turner’s career.

“It’s my heroes and my influences – they inspired me to chase this dream and pursue my passion,” he explains. “This is the life I’ve been living for a long time now, and even before I got a record deal, this is what I’ve been dreaming of. It’s who I am through and through … and everybody I’ve played it for has hit the roof.”

Elsewhere, “Down In Georgia” starts the record with a feel-good declaration of Southern comfort. Written by Tyler Booth, Anthony Olympia and Brent Rupard, the tune highlights Turner’s rumbling vocal right off the rip, and serves as a prime example of new voices pulling something fresh from the star. “I think they’ve been reading my mail, because I married a girl from Georgia and we actually moved to Georgia last year,” he says with a laugh.

Meanwhile, grooving tracks like “Heatin’ Things Up” crank the romantic thermostat, fusing a red hot fiddle and smoldering sway for a track that reminds Turner of “Your Man” – just with more energy and an opening note so low, it sounds like the star was flattened by a “load of gravel.”

Tunes like “If You Ain’t With Me,” “I Just Want to Kiss You,” and “Somewhere With Her” celebrate Turner’s expertise with mellow, pure-country comfort, and while the hooky singalong “My Side” features a rootsy sway somewhere between The Band and bluegrass, others like “Two Steppin’ On the Moon” walk on the modern side of country, reminding fans that honky tonks are, in fact, dance clubs.

Still, it’s the personal touches that make an album special, and This Country Music Thing is no different. The propulsive “Whirlwind” was co-written with Mark Narmore years ago – a fiddle-drenched ‘90s country-rocker comparing true love to a tornado. And while the tender “Pretty Please” features a heartwarming cameo by Turner’s wife, Jennifer, the final track tributes a different kind of constant.

With the stormy, stoic, and solo-written “Unsung Hero,” Turner salutes his grandfather – a man of few words who sought even fewer accolades, but left a powerful legacy nevertheless. Coming at the end of an album like this, it’s perhaps a powerful reminder Turner clearly holds close: Others gave much to make this life possible. So do “this country music thing” for the right reasons.

“I’m always trying to win fans over, even at this stage of my career,” he admits. “But I’m definitely having fun. Just being able to do this for a living is something I don’t take for granted. There’s a lot of artists that never get to this point, and so I’m very thankful for it. I’m in a good spot.”

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Jason Scott and the High Heat

Band Jason Scott & the High Heat
About

Caught halfway between amplified Americana and heartland roots-rock, Jason Scott & the High Heat create a sweeping, dynamic sound that reaches far beyond the traditions of their Oklahoma City home. Too loud for folk music and too textured for Red Dirt, this is the sound of a genuine band rooted in groove, grit, and its own singular spirit, led by a songwriter whose unique past -- a Pentecostal upbringing, years logged as a preacher-in-training, and an eventual crisis of faith -- has instilled both a storyteller's delivery and an unique perspective about life, love, and listlessness in the modern world. Case in point, in 2018 Scott earned critical acclaim as a songwriter when the second track "She Good To Me" off his DIY EP Living Rooms (2017 landed on NPR World Cafe's Heavy Rotation: 10 Songs Public Radio Can't Stop Playing alongside songs by MGMT, Moby, and Jade Bird. It was only the beginning of a new life on a new kind of stage.

A multi-instrumentalist, producer, engineer, and session musician, Scott spent a year balancing life on the road and life in the studio, where he produced albums for Americana artists like Carter Sampson, Ken Pomeroy, and Nellie Clay. Things began to expand as he assembled the High Heat, a band of multi-faceted musicians and roots-rock Renaissance men who, like their frontman, juggled multiple artistic pursuits. Together, Jason Scott & the High Heat have since become a self-contained creative collective whose talents include songwriting, music production, photography, video direction, and more.

In 2022 the band made a pronounced impact with their debut album Castle Rock, a melting pot of sounds from the heartland sweep of Tom Petty to the story-driven Americana of Jason Isbell, the nostalgic hooks of '90s country music to the sharp songwriting of James Taylor mixed with John Prine's lyrical blend of cutting insight and laugh-out-loud humor. The album also spent two months in the Top 50 of the Americana chart reaching all the way to #36 and outlets across the globe started taking notice of this groove oriented, rock-infused band with crazy brilliant songs. NPR, The Boot, Holler, BBC Radio Scotland, Wide Open Country, Bluegrass Situation, Farce The Music, Ditty TV, Americana Music Show and Gimme Country all applauded the band's first full length effort with emphasis on the bright future to come. During this time their live show was catching equal recognition branding them as "the band to see" pretty much anywhere they played. In short order they were on the road performing at some of the most renowned music festivals includong the Stagecoach festival, Born and Raised Fest, Mile 0 Fest, Norman Music Festival and the Woody Guthrie Folk Festival, and supported a variety of bands including Band of Heathens, Eli Young Band, Gin Blossoms, Josh Abbott, Vandoliers, The Damn Quails, MIPSO, Parker Millsap, Jimmie Dale Gilmore, and Kaitlin Butts.

Jason Scott & the High Heat continue to pick up speed, most recently with their latest single "Me & The Bottle" off their forthcoming album American Grin slated for release on July 19th. The single has drawn massive attention hitting the Top 10 on the Texas Music Chart, and tripling the band's social media numbers in just a few short weeks. To date it has amassed over 100,000 spins online. Scott puts the song's popularity into perspective. "We recorded 'Me & The Bottle' (Hungover You) near the Rio Grande, at Sonic Ranch Studios on a Motown console, and Stevie Ray Vaughan's old Esquire. This song is meant to be listened to with a little bit of chicken fried, cold beer on a Friday night, and a pair of jeans that fit JUST RIGHT... It's a tongue and cheek narrative about a man stuck at the bottom of a bottle with his stubbornness, and antiquated views on masculinity." Co-produced by Jason Scott and Taylor Johnson, American Grin is an audio maverick cloaked in the band's trademark style of intelligent musings soused in fine grooves and palpable textures.

Jason Scott & the High Heat are: Jason Scott (lead vocals, guitar), Gabriel Mor (guitars), Ryan Magnani (bass), Bobby Wade (drums), Garrison Brown (guitars, keys), Taylor Johnson (guitars, keys, aux)



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